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Broadway and The Bard

TONY® AWARD-WINNER LEN CARIOU
Broadway and the Bard
An Evening of Shakespeare & Song

 
Starring Tony Award Winner LEN CARIOU
CONCEIVED BY LEN CARIOU, BARRY KLEINBORT & MARK JANAS
MUSICAL DIRECTION BY MARK JANAS
DIRECTED BY BARRY KLEINBORT

 
PRODUCED BY: Aruba Productions and Carew Productions, in association with Amas Musical Theatre.
 
In “Broadway and The Bard,” universally acclaimed stage and screen veteran Len Cariou gives full voice to an idea that he has harbored since his first prophetic Broadway season of Henry V and Applause.



Combining his two great loves—Shakespeare and American Musical Comedy—into one rich and diverse tapestry; outfitting trenchant classical soliloquies and sonnets with inventive musical pairings from beloved writers of the Great White Way—an eighty-minute melding of superb soliloquy and memorable song by a one-of-a-kind master actor of exquisite vintage in what the Bard might refer to as “a most rare vision.”

 

 

Clever greatest-hit connections between Shakes and song in Len Cariou’s ‘Broadway & the Bard’
– Chicago Tribune

‘Broadway & the Bard’ Serves Delicious Combos
– The New York Times

 

 

THE CREATIVE TEAM


LEN CARIOU is a distinguished member of the Theatre Hall of Fame and a three-time Tony nominee, for ApplauseA Little Night Music, and for his legendary performance as Sweeney Todd: The Demon Barber of Fleet Street, (Tony award-winner, Best Actor). His other Broadway credits include NightwatchCold StorageTeddy & AliceDance a Little CloserThe Speed of Darkness, Neil Simon’s The Dinner Party, and Proof. Showing his range, he toured the U.S. as Cap’n Andy in Showboat, and as Nils Bohr in Copenhagen. He scored his most recent triumph in The Gate Theatre’s definitive, hit production of All My Sons, in Dublin, Ireland, reprising his role as Joe Keller, which he also won raves for at the Geffen Theatre in Los Angeles in 2007. In addition, he was recently lauded for his performance as Richard Nixon in Frost/Nixon at the Vancouver Playhouse and Canadian Stage. In 2008 he directed a production of Glengarry Glen Ross (Manitoba Theatre Centre) which sold out its mid-winter run despite outside temperatures of 40 below zero. His classical stage repertoire is far-ranging, encompassing the title roles in Oedipus the King, Macbeth, Cyrano, Coriolanus, and two productions of King Lear, as well as Iago, Petruchio, Prospero and many others. Off-Broadway, he is proud of his work as Ernest Hemingway in Papa, William O. Douglas in Mountain, and Joseph Stalin in Master Class. Regionally, he has starred in a multitude of productions at theatres throughout North America, including The Kennedy Centre, The Mark Taper Forum, The Manitoba Theatre Centre, The Stratford Shakespeare Festivals in both Ontario and Connecticut, The Guthrie Theatre, Long Wharf Theatre and The Old Globe. He is a former Artistic Director of the Manitoba Theatre Centre, and former Associate Director of the Guthrie Theatre. Several feature films include the popular The Four Seasons, Executive Decision, Thirteen Days, and About Schmidt with Jack Nicholson, as well as Secret Window with Johnny Depp, Flags of Our Fathers, and 1408. He was awarded a Genie, Canada’s Oscar, for Best Actor in the film One Man. On television, Mr. Cariou currently stars as Henry Reagan (Tom Selleck’s father) on the hit CBS series “Blue Bloods.” He spent two seasons as powerhouse political appointee Judd Fitzgerald in the Showtime series Brotherhood with Dublin’s own Fionnula Flanagan. He has guest starred on CSI: Las Vegas, The Practice, West Wing, Law & Order, The Outer Limits, Swift Justice, and Murder She Wrote, to name only a few. Myriad TV movies include Surviving, Man in the Attic, Who Will Save Our Children, There Were Times Dear (PBS), Miracle on Route 880, Killer in the Mirror, Hallmark Hall of Fame’s The Summer of Ben Tyler, Nuremberg (TNT) and as Franklin Roosevelt in HBO’s Into the Storm. Mr. Cariou is known for his voice-over work in commercials, books-on-tape and film, especially on The Jonestown Flood, which won an Academy Award, and as Harry Bosch in Michael Connolly’s well-known novels.

BARRY KLEINBORT (Co-Conceiver/Director) has earned the prestigious Edward Kleban Foundation Award for Lyric Writing, two Gilman-Gonzalez Musical Theatre Awards, the Second Stage Musicals Writers Award, the Jamie deRoy/ASCAP award, two Back Stage Bistro awards and 10 Manhattan Association of Cabarets (MAC) awards for his directorial and songwriting efforts. He wrote the book and lyrics for the musical, Was (music by Joseph Thalken), which was the inaugural production of the American Musical Theater Project in Chicago. He co-wrote with David Levy Perfect Harmony, a musical play about the lives of the Barry Sisters, which ran for six months in South Florida. As a composer/lyricist, he wrote music and lyrics for Metropolita(i)n, a bi-lingual musical revue, which has successfully played in Paris and New York. He provided scripts for eight PBS TV specials and most recently was an “artistic consultant for “Cathouse: The Musical” for HBO. His newest musical 13 Things about Ed Carpolotti starring Penny Fuller had a successful off-Broadway run at 59E59 theaters and made its regional theater debut last year at the Merrimack Rep in Lowell, Massachusetts, again with Ms. Fuller, and under Mr. Kleinbort’s direction. He has directed and/or written material for Brent Barrett, Petula Clark, Marvin Hamlisch, Kaye Ballard, Regis Philbin, John Barrowman, Tony Roberts, Anita Gillette, Karen Mason, Sylvia McNair, Harolyn Blackwell, Heather MacRae, and many, many others. He has also directed topical revues and intimate theater productions, including Rita Gardner’s Try to Remember – A Look at Off-Broadway and Kaye Ballard’s off-Broadway revue, Kaye Ballard-Working 42nd Street at Last! He adapted and directed the New York premiere of Bob Merrill’s musical, The Prince of Grand Street for the Jewish Rep and John Epperson’s autobiographical one man outing, Show Trash at both the Studio Theater in Washington, D.C and off-Broadway as part of the acclaimed Lypsinka trilogy at the Connelly Theater. A well-received revue of his theater songs, “Big City Rhythm,” is available on Harbinger Records.

MARK JANAS (Co-Conceiver/Music Director) began his piano studies at age of three, composed a sonatina at 5, and by high school was conducting the Hammond Area Youth Orchestra. At Indiana University he studied with pianist Karen Shaw, composer Bernhard Heiden, and conductors Jan Harrington and Tibor Kozma, among others. While a senior at Indiana, he was chosen by Leonard Bernstein to conduct at Bernstein festivals in Israel and Austria. He was twice Bernstein’s assistant, for concerts with the New York Philharmonic and Boston Symphony orchestras. After receiving a bachelor of music degree from Indiana University and a brief stint as associate conductor of Texas Opera Theatre, he acquired a master’s degree in orchestral conducting at Rice University, while simultaneously founding and conducting a professional group, Orchestra Texas. In 1982, he was a conducting fellow at the Los Angeles Philharmonic Institute, studying with Bernstein, Tilson Thomas, Hogwood, and Blomstedt. In 1984, he jumped the fence to musical theater, composing a score for an historical drama The Lone Star, later recorded in London with members of the LSO, and later conducted the Houston Symphony in a performance of a Suite from the work. Janas music directed the world’s largest production of Hello, Dolly!, creating all-new arrangements for its star, Marilyn Maye. He performed all over the United States as associate conductor for two national tours of Les Misérables, as well as music directing for the Yale Repertory Theatre, Hippodrome State Theatre, Arkansas Repertory Theatre, and New Dramatists, to name a few. He music directed the Chautauqua Opera Cabarets in 1998 and more recently has performed and released a CD with 2001 Best Debut BackStage Bistro and MAC award winner Julie Reyburn. Performances with Maree Johnson took him to Australia, and last summer two New York readings of his original musical, PoeSCrypt, were very well received; a recording of the work is currently in process. Mr. Janas won the 2002 BackStage Bistro Award for Outstanding Achievement in Musical Direction, and, having taught before at Yale, Barnard, Concordia, and NYU, as well as his Acting the Song class with colleague Andy Gale.