Gordon EdelsteinMr. Edelstein is in his fifteenth season as Artistic Director of Long Wharf Theatre. Earlier this year, he directed the world premiere of Steve Martin’s Meteor Shower, a hit both at Long Wharf Theatre and The Old Globe, where it set box office records. He will direct the world premiere of Napoli, Brooklyn this winter, which will then move to the Roundabout Theatre Company in New York City. Later this season, he will also direct the world premiere of the musical The Most Beautiful Room in New York, with book and lyrics by Adam Gopnik and music by David Shire.
His other recent Long Wharf Theatre credits include Disgraced, The Second Mrs. Wilson, Picasso at the Lapin Agile, Our Town, The Last Five Years, The Shadow of the Hummingbird, The Underpants, Ride the Tiger, Curse of the Starving Class, Satchmo at the Waldorf (which transferred Off-Broadway), My Name is Asher Lev (which also transferred Off-Broadway, winning an Outer Critics Circle Award for Outstanding New Off-Broadway play), Shirley Valentine, and his own adaptations of A Doll’s House and Uncle Vanya. His acclaimed Long Wharf Theatre production of The Glass Menagerie played the Roundabout and the Mark Taper Forum and was the recipient of the Lucille Lortel Award for Best Revival. He has a continued artistic association with Athol Fugard, directing the world premieres of The Shadow of the Hummingbird, Have You Seen Us?, and Coming Home as well as the East Coast premiere of The Train Driver.
Gordon has also directed Audra McDonald in A Moon for the Misbegotten at the Williamstown Theatre Festival and the Broadway production of Fugard’s The Road to Mecca for the Roundabout Theatre Company. Among Mr. Edelstein’s countless plays and workshops for Long Wharf Theatre include Julia Cho’s BFE, The Day the Bronx Died, A Dance Lesson, and The Times, as well as The Blue Album, We Won’t Pay! We Won’t Pay!, A New War, A Moon for the Misbegotten, Anna Christie, The Front Page, and Mourning Becomes Electra.
As a director of an extremely diverse body of work, he has garnered three Connecticut Critics Circle Awards and under his artistic leadership, Long Wharf Theatre has received 17 additional Connecticut Critics Circle Awards, including six best actor or actress awards in plays that he directed. He is also the recipient of the organization’s Tom Killen Award, given annually to an individual who has made an indelible impact on the Connecticut theatrical landscape.